There it was, just buried on the shelf, waiting to change my life.
[photopress:books_fom.jpg,full,alignright] When I was about 8 years old, the bookcase in the hall had tons of books, from odd shaped art annuals to paperback novels. But there was one book that was waiting for me to discover it:
The Family of Man.
I know I discussed the impact this book has on me, and those who have been the recipient of this.( a favorite book to give away). There was something in Paris that brought back the same emotional impact of the first viewing of that collection. More in a moment…….
Some of the great things about Paris-Photo, are not at the fair. They are at the galleries and halls around the city. When the crowd that attends Paris-Photo are in town, it’s proper to step up your game. Man, the photographic community in Paris kicks it up,big time.
At the Jeu de Paume, there is an Edward Steichen exhibit, brilliantly curated by William Ewing,Todd Brandow, and Nathalie Herschdorfer, that is called “Lives in Photography” as it traverses the many photographic lives of Edward Steichen, photographer, designer, promoter of modern art, and brilliant curator.
From his very first photograph of his sister playing piano, through his picturialist period, you will see images of a young man fully engulfed in the life of an artist. His association with Steiglitz and Camera Work Magazine, still considered one of the best photographic publications ever made, is laid out in a visual path that will touch you like no other exhibit.
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Brooklyn Bridge
1903
Edward Steichen
Courtesy LaSalle Bank Photography Collection, LaSalle Bank et ABN AMRO, Chicago
© Joanna T. Steichen
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Marlene Dietrich
1934
Edward Steichen
Courtesy The Richard and Jackie Hollander Collection, Los Angeles
© 1935, Condé Nast Publications
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Fred Astaire dans le film Top Hat
New York, 1927
Edward Steichen
Courtesy Howard Greenberg Gallery, New York
© 1927, Condé Nast Publications
In this show, you’ll see a heavy representation of his Vanity Fair and portrait series, heretofore not generally seen. As he approaches each subject with a completely fresh canvas from lighting, scenario, location, proppage, this may be the most extensive revelation of the show. PLUS you get to see rare footage of him actually shooting. OK, he hams it up a bit, but watching the master light and work is a treat. Thanks to The George Eastman House for supplying this.
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Matches and Match Boxes, fabric design for Stehli Silks, by Edward Steichen, 1926
As his life changed personally, you watch the transition to his more commercial design work, with patterns photographed for a silk company using ordinary objects, lit and arranged to achieve a fabric design like no other.
But wait there’s more. Continue Reading »


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