There are many great photographers to discover on the GALLERY Page, and we intend to highlight one a week in the next while for you.
One of the latest postings caught our eye the other day: Luca Lacche. There is a dreamlike quality that allows the viewer to share the experience and bring their thoughts and possible storyline to the images. We have been promised more in the series.
[photopress:photo_thumbnail.php.jpeg,full,centered]
lo sguardo vago” Luca Lacche Photography © 2008
With a clear sense of self, here is Luca’s bio in his own words. And yes, you also get some tech info.
From Luca Lacche:
My photographic activity began in Italy in the early 80s. I remember borrowing a Pentax MX 35mm film SLR, with its 50mm, from a friend at the University and after a while getting my own (a Canon AE1) – I was attracted by the “glance” offered by the reflex camera plus the natural point of view of the 50mm. After a few years of practice I began doing darkroom, developing and printing black and white film.
My photo-attitude has always stayed that way ever since – even if photography has been “on and off” for me during the late-80s and 90s, perhaps becoming in certain times just a secondary side of my other interests, like music and visual arts. In the mid-90s I started travelling abroad (mainly in the US) and photography spontaneously came back – using a couple of Nikon film SLRs I developed a keen interest in the concept of travel photo, even if today I realize I’ve never been much into describing places but rather projecting my own image and idea into them. This is perhaps why, when I decided to go “pro” a few years ago and began working for stock photo agencies, I felt somehow out of place – it was not my cup of tea.
That’s why I decided to quit that activity and concentrate on the fine-art side of my photo production – only self-expression, my kind of subjects and the tech and tools of my choice (obviously having to do something else for an extra income). I began posting my recent works on the net (that was about three years ago) and, besides admiring and being inspired by the work of the likes of Mario Giacomelli, I became fascinated by a certain type of photography, first the square format then the plastic cameras like the Holga, the Diana – the blur, the subtle focus-defocus play, the light seen in a totally different way due to “imperfect” optics.
Speaking of tech stuff, I am currently exclusively using a couple of Canon EOS 5D full-frame D-SLRs (always in RAW mode), both gripped, with Canon L zoom lenses (16-35 f/2.8, 24-105is, 70-200 f/4is) and the 70-300 DO/is tele-zoom which is ideal for travelling being very small. I recently began to add to my gear some prime lenses (two Canon EF, the 50mm f/1.4 and the 15mm fisheye), but my favorite piece of equipment remains the Lensbaby lens, which as a fact I now use most of the time. Since the first shots I took with it I realized the huge potential of its selective focus feature in composition, description of details, use of light. I am today mainly using the Original Lensbaby, whose “primitive†glass lets me obtain my favorite “plastic camera†feel (read Holga), even using a last-generation digital camera. Most part of my current photographic production comes from that “symbiotic coupleâ€, the Canon 5D and the Original Lensbaby.
Don’t miss the rest. Keep reading….. Continue Reading »
You must be logged in to post a comment.