After months of rumors, and a tiny leak this weekend, Nikon has announced the new top of the line addition to the line of Professional DSLRs: D3x.
So to start, we have a 24.5 megagpixels FX (full frame) unit with a ship date of well, Dec.. Right around the corner.
Coming in at a hefty $8000. USD retail, the D3x joins the line at the head of the table instead of replacing any units.
It is being positioned as a studio, medium format quality, digital SLR, as opposed to the D3 which stays around for $3000. less.
As you can see there is not much difference in the cosmetic look between this unit and the D3.
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FEATURES
THE SENSOR
The D3x has an exclusive 35.9 x 24mm (FX format) 24.5MP image sensor with unique OLPF (optical low pass filter) and high-speed channel readout. ISO range covers the equivalent of 50-6400. With a boost function to over 25,000 ISO as in the previous D3.( sure, there will be noise but sometimes you can deal with the grain, depending on your usage.)
IN FOCUS
The widely acclaimed speed and accuracy of the MultiCAM3500 AF system with 51-AF points. Individual selection assumes a new importance in combination with the high resolution: it’s easy to isolate and focus on small details in the scene.
SPEED AND RESPONSE
At full 24.5MP resolution, the D3x shoots at 5fps, 7fps is possible in DX Crop mode. The camera is as responsive as the superfast D3. 12ms start up with a shutter release lag time of just 41 ms (CIPA standard). It writes files to the dual CF slots at about 35MB per second.
IMAGE PROCESSING
The D3x’s 16-bit EXPEED engine is specially tuned to deliver detail-rich, colorful files with low levels of noise and high detail. It is also tuned to minimize the effects of color fringing with older F-mount Nikkor lenses, and to minimize the effect of unnatural-looking (digital) noise patterns. Vignette (peripheral fall-off) can also be controlled for creative effect.
ACTIVE D-LIGHTING
The D3x features a new Extra High Active D-Lighting setting, designed to better manage extremely high-contrast scenes, especially tonal gradation in highlights.
SCENE RECOGNITION SYSTEM
Information from the 1005-pixel RGB sensor with diffraction grating is used to recognise the subject position and color prior to capture. The results are then used by autofocus, auto exposure and auto white balance.
LIVE VIEW
The D3x is the highest resolution digital SLR yet to offer Live View. Allowing photographers to compose and shoot via the 3in monitor instead of the viewfinder brings a variety of practical advantages both in the studio and on location. Two modes are offered: Handheld and Tripod. Contrast-detect autofocus is available in Tripod mode.
MONITOR
3-inch wide-angle (170deg) rear viewing screen, with 922,000 dots, is ultra-high definition, and proven to exhibit extraordinary levels of damage resistance.
THE INTERFACES
USB 2.0 downloads images off the camera fast when tethered, and flexibly when connected with the WT-4 wireless transmitter. With both HDMI and AV/Out ports GPS data can be captured into the EXIF as before. The new, compact Nikon GP-1 GPS unit can also be attached via the 10-pin terminal and mounted in the hotshoe, or clip on the camera strap.
POWER MANAGEMENT
The D3x uses the same high performance lithium-ion battery (EN-EL4a) as the D3. Thanks to efficiencies in the camera’s onboard EXPEED image-processing system, battery performance is comparable with the D3.
THE BODY
Extremely durable magnesium construction with ergonomically optimized and weather-sealed buttons, dials and LCD displays. Extensive use of high-grade rubber grips means the body is comfortable to handle for long periods of time, and in a wide range of temperatures.
The D3x is the highest resolution digital SLR yet to offer Live View. Allowing photographers to compose and shoot via the 3in monitor instead of the viewfinder brings a variety of practical advantages both in the studio and on location. Two modes are offered: Handheld and Tripod. Contrast-detect autofocus is available in Tripod mode.
So….which way to go?
As always, it all depends on your needs. How has your workflow been with the massive files you are using now? Have you been trolling the ads for the biggest hard drives you can find? And in pairs? ( best to do mirror back-ups. Seriously).
With dual CF card slots, so can either double your capacity OR have one card record RAW, one card record Jpeg simultaneously, OR a back-up card on-board. D3 and D3x both do that.
And you best have the most rippingly fast CF cards and readers, because with file sizes that big, shoot-and-wait will totally suck. With the capability of 138 mp processed files, make sure you have the bandwidth.
After using the D3, there is a sweetness of handling that can’t be beat. Like when you get behind the wheel of a precision, top-of-the-line car, and can just feel the expert mechanics. Plus a full frame viewfinder. I like to crop at the eyepiece, thank you very much.
If you are a photojournalist, the D3 or D700 should be the units of choice in the Nikon line. In an upcoming review, we’ll give you some hands on feedback on the D700. Lots of photojournalists I know only use jpeg anyway, so file size is not as critical.
Look, we want you to know about the best products out there, and what they can do for you. But be clear with yourself as to the right tool for the right job.
A pro should use the most capable tool out there, because that is the way they make a living. This camera will fly out the door.
As an enthusiast, look at the big picture.
Have you made the move away from DX lenses? If you haven’t, you may be a little disappointed when using them on these full frame units. Sure, they will frame for your lens, and let you know. But the adjusted frame lines just got to me a bit. Distracting.
However, one huge advantage is the wide angle lenses that will come back into your repertoire with full frame beauty, if you change up your lenses. Plus your old glass will be fine on these new FX units. Maybe those primes will find their way bag into the bag.
Heck, I still love the bokeh on the old 500mm F/8 mirror lens.
So, it’s some amazing news here from a prime mover in photography. And if you are going to sell off your D3’s before that 300,000 shutter clicks, I think you’ll find some ready buyers out there.
(can you see my hand up from where you are?)
And I’m asking Hannukah Harry and Santa for a D3x. Double the odds, right?
Full Nikon Press Release follows: Continue Reading »
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