Ok, let’s talk about audio.
You know that it’s 50% of your content, unless it’s bad. Then it’s 80%

Remember there are links to all of the gear mentioned for your ease of deeper diving.

When you want the choice to go more mobile, connect directly into your camera , or to a portable mixer, this now standard from Rode, the Rode Wireless Pro just works . With a receiver and 2 wireless mics, you can quickly hook up your subjects for an interview situation. Plus this new setup gets you 2 lavalier mics for a more discreet mic situation.And finally, a compact charging and storage case. In NYC, I’ve seen the local news station using these as they cover the local beat.

This new version features a 32 bit float, which is essentially a secondary recording that can ensure a quality recording when you go to edit. Basically a secondary track with a lower audio ceiling so you do not get “clipping” or distortion. N0t able to use that feature direct into your camera, but it’s your audio  insurance. Read more about 32 bit floats here.
Good news is that it is also compatible with a lot of other Rode products. Honestly it may be a bit harder to find due to the popularity, but worth the hunt.

They have just introduced a smaller set of 2 mic/transmitter plus a receiver called the  Micro 2-Person Ultracompact Wireless Microphone System with USB-C Connector

It is aimed at the mobile creator, and is about 1/2 the price of the Wireless Go, although you get a lot less in the package and versatility. It is available in USB-C OR Lightening plug.

Another solid choice is the ProMic from Shiftcam, Compact shotgun, comes with a fuzzy cat, bag, and, for me, one of the best features is the headphone jack so you can monitor the audio. Nothing like knowing you are getting the audio you need! Only about $79

Looking like many mini mics on the market, and a nice compact package.

In the same vein, is the Joby Wavo Pro mic. A fave of Casey Neistat, this mic has the capability of adding another mic, like a lav, on the body so you can mix your questions, with the respondees answers with no moving back and forth.

Plus it has multiple DB or sensitivity options that you can adjust on board depending on your subject. You can record a second track, similar to a 32 bit float, giving you recording insurance.

It is going away so the prices have dropped, dramatically. you can pick one of these up for about $129!

If you can sit down with your subject, get a couple of the classic Shure SM58

Add in 2 Manfrotto PIXI tripods, best solution I’ve found and your set. When you buy the Shure mics, you’ll get the mic holder you need. What I like about this tripod is the height it sets the mic at. Perfect!

Let’s go more pro, if you want to get some of the best:
Sennheiser receiver/ transmitter system has been in my kit for years,

For lav mic I prefer the Tram tr50

,
or the Sanken COS 11-D

It’s funny, as i think the Tram is more popular on the west coast, and the Sanken on the east coast.
If you live in a major metropolitan city, like AL, Chicago or NYC, I would suggest going into a local vendor to actually hear the mics to make your best choices

If you are going into podcasting world in a studio or stationary place, a perfect mic is the
Shure SM7B

Couple it with the best headphones Sony MD 7506, around $90
Yep, that good for the best price. Nice and flat so you can mix as you like. Get one for each of your guests

What do you plug into for your podcast?
If you are going to be stationary, I’m partial to the Rodecaster Pro.

Yes, there is a newer version, the Rodecaster Duo, smaller footprint, only takes 2 mics, plug in or the wireless Go series, but the original still does everything I need and more. Plus they do firmware updates, so a great unit at a reduced price.



which mixes, records, and exports to my fave podcasting platform, Anchor, now owned by Spotify. Once you export to this platform , it will send your podcast to all the majors.

For the pro needing a small footprint, If you are on the move, and really only have need for no more than 3 mics, the MixPre 3II is a great choice, with a reduced form factor and high end pre-amps, 32 bit float, and some of the best preamps around.

plus support with upgrades to the firmware when needed. While I love this mixer, I use jingle pads (added sound buttons) on all podcasts, so it does require editing and mixing after a recording. Good time to engage with your 32 bit float as well. Super high quality, however. The pro unit.

Pack all of that into an Orca bag , (click the link for options) . Your size needs will vary, so choose the bag based on the gear you’ll transport and use.

More guides coming!!