#PhotoSchool – Learn photography from the cool guys

There are so many ways to learn photography, with the plethora of online schools making study at home a pretty easy choice to make.

You should want to learn from those who make their living at it, though, then you’ll get methods that truly “get the money”
Famed photographer Michael Muller, and Patrick Hoelck have joined forces to create PHOTOSCHOOL They bring you, currently, over 60 teaching vids, with subject ranging from Fundementals, Natural Lighting, Studio Lighting, and Photoshop teaching sessions with the retouchers these guys use to deliver their assignments.

How many of you have met with the retouchers you need to finalize your work? exactly. here they are.

There is true gold here, and if you want to improve your commercial photography game, you should start mining that gold now.

They have also brought in some of their friends to give even more expanded insight.
Estevan Oriol, and Brian Bowen Smith bring you anothr perspective with their unique visions. Gotta be honest, I went to Estevans site and may make a purchase or 2.

When I say the cool guys, what does that mean? It’s not the clothes, or the hair. Nope. It’s the vision that is current and consistent with each one. Their style that is in shown in the work, makes them the cool kids.

These are the people that are shooting the magazine covers and movie posters today. This is who you want to learn from.
After going through a variety of lessons, I will say that the production value is a bit rough. No question.
Did they shoot it with an Alexa? nope.
You may be saying “why am I learning from these guys who aren’t lighting the lessons like a Hollywood movie?”
Because we are lucky they are revealing their secrets and tools, for only $25. a month. That’s why.
How about the Triple Key Lighting? Yeah, you didn’t know about that. Either did I.
Now you are going to learn about that and a ton more, just in the Studio lighting section.

When I started in the business I was an assistant photographer, working in a commercial studio. Then I went to university and studied photography, film and fine art.
What I learned from a working pro, I still use today. These lessons have already been schooling me in a very good way.

AND with each lighting lesson, you get to see the final shots, usually multiple models, with the tech data.Plus, if you have questions about something within the lesson, they will respond by email.

Here’s what you get, from the site:
Interviews
A great place to start; Our teachers share their about experience learning photography, and how they turned it into a career. Topic also include their creative process’, with plenty do’s and dont’s along the way.
Fundamentals
Our guest teacher Brian Bowen Smith apprenticed for legendary Photographer Herb Ritts for many years and has become one of busiest celebrity photographers in the business. We are honored to have him kick things off with some fundamentals.
Natural Light
Shooting with natural / available light is the most important skill to master when learning photography. Learn these looks and you’ll be able to get a great look in any location.
Studio Lighting
Studio lighting is about having complete control. From a cheap strip of halogen lighting form the hardware store to 15 strobes in a studio, you are responsible for every highlight, shadow, and reflection in your models eyes.
Note: Occasionally you’ll see a light or two set up, but not in use – don’t worry – our teachers will point out every light they’re using in each lesson.
Photoshop
Photo processing and retouching is an enormous part of creating an image, and unfortunately Photoshop is the most miss-understood, and miss-used tool available to young photographers. Jess & Andi are Michale and Patrick’s Photoshop guru’s. In these lessons, they will show you the exact techniques they use daily for movie posers and magazine covers.

Check out the preview above, see if it’s right for you google these guys and check out their work.
I’m telling you though, no matter how you shoot, you are going to learn some valuable lessons, that you’ll never forget.
I already have.
Check out PhotoSchool.com

#TBT – As Real As It Gets: Wyatt Neumann

First posted this in May, 2009, Wyatt Neumann, photographer, has recently become a cause celebrate for his photographs of his children posted online. A loving, devoted,father, this series has become a polarizing discussion of artist rights.
But he’s a good photographer. Have a look at some of his work before the controversy.The Flickr link is working. Forget the madness.

We met this guy over cocktails in the south of France and knew from his incredible energy, he had a definite point of view of the world. A very intense one.
In the night heat of the June coast of the Riviera, you could easily sense that this photographer/director, was just about to burst out of his skin, in a good way. He was going to tell you things you may not have heard. Or wanted to hear. Some random, Hunter Thompson moment was probably not that far off in the future.

3452951287_a1b3c9d2de © Wyatt Neumann
And now, he’s told us about his intense love of life, and that perspective, through his first time exhibit of photographs called “Elephants and Boa Constrictors”.
Some of you may know the reference to “The Little Prince” from the first page of that classic childrens book by Antoine de Saint-Exupry.

3453624986_f17874a2ab © Wyatt Neumann

Now here is the thing about this show: it consisted of 427 photos printed 3.5″x3.5″ and hung linearly in random order. It was up for one night, only.
We missed it.
But now it lives on Flickr

We watched it in a slide show version from Flickr, which is what we recommend .

Darn it, got ahead of ourselves for a second. Where were we…..?

Oh right. The images.

3453712940_ec2b15aae9 © Wyatt Neumann

The imagery is of a world that Wyatt has traveled, seen, experienced, and shares with us, not in a Robert Frank way, but in what we imagine a Jack Keroac way would be. It’s a bit more personal, more poetic, and in your face, as the artist himself is.
There is no denying the intensity of the images, or the original. The people in his path across the US, and the constants in his life appear periodically through the random stream of images, which together, get you on a journey, very hand crafted by Mr. Neumann.

3452848297_41151fda8a © Wyatt Neumann

The vignetting of each image, focuses your eye to the main story, and frames the subjects with a certain respect. Not a raw, harsh, reality yet still authentic and true.
And there are tender moments. The lighting belies those, as they become a respite, and help the viewer move through the series with a balanced life.
3453725474_9c3a0950dd © Wyatt Neumann

Wyatt has brought his emotions to the surface here, and there is little between you and the image to buffer it.

Did the small print images get the viewer closer to review the images in person, to make it more intimate ?
Or does the slide show on Flickr give you time to breath in and experience each image on it’s own?
Your call, but it was a great use of our time to watch the random linear tales unfold on the screen.

It’s a rich trip you can take right from your desktop. Enjoy the ride.
And safe travels.

3452794359_d3fce45515 © Wyatt Neumann

Wyatt Neumann is represented by Click3X as a director, and The Safari Gallery for his fine art

Battery Life: It’s the worst!

I’m mainly talking about the smartphones.

You know these things filled with apps that have taken the place of your point & shoot cameras.
Snapseed, Camera+, PS, Lightroom Mobile, ProCamera, Hipstamatic, the Classic CameraBag, and of course VSCO. YOU probably have your favorite go-to’s.
And then there is the Instagram behemoth to post to.
Love me some Vine, especially now that we can shoot on a real camera, edit and post.
A little Candy Crush while we wait, FaceTime while we are away, and Hamster On Piano. Plus the cloud.
And the phone part. Love the phone part.
So… why the heck does my device start going into the red zone at about 2:00 PM????
Sure, years ago, my Motorola StarTac had a piggy back batt and didn’t do nearly what these handheld computers do.That grey ;ump on the back,is the extra battery.
DSC01901

But when I want to shoot that concert photo,Instagram it AND call my friends for a meet up after the concert, that dreaded white spinning gear on a black background is inevitable. Power done. Phone shutting off. Shot about 230 photos and 4 vids at this event (no DSLR)
(Shot with an iPhone 5S, and Olloclip lens.)

IMG_4042
Yes, looking forward to the next iPhone, Samsung, Nokia,LG masterpiece, all who claim long battery life.
Really?
Check out this pile of batteries I own, and many I carry around in my messenger bag:
DSC01897
Plus a cable, plug in charger, specialty charging card called Thinium. (love this thing!)

The big boy charges the phone about 2.5 times. Had it for about 3 years and yes, that’s a thunderbolt adapter on it. The tubular units like the Crayon one from Mimoco are good for maybe one full charge.There’s an Otter battery phone case, the Mophie is in the mix,even a Duracell unit that hold batteries.
Is that enough?
Not when I’m on a shoot.
So I carry a bunch.I’ll bet you do to.
Our sleek, sweet, cleanly designed smartphones just got tethered in the worst way.

What’s the solution?

The tablet. Specifically, the Mini tablet. 10 hour battery life. All of the apps, wi-fi, a larger screen to work with,and a better battery life. And if you like, no monthly fee, if you find your hotspots. Your call as to where you feel they are “secure”.
The CamRanger is a great tool when coupled with the iPad.
Or perhaps,the Apple Touch.40 hours of music or 7 hours of video playback on one charge.
The only issue is: It’s yet another device. When I see people hold up an iPad to take photo, it’s the oddest thing, but I get to see their sense of composition. It’s public as its taken.

Will the smartphone batteries get better? Hope so, but not sure how long that’ll take.

In the meantime, try these tips on saving battery life for Android, and iPhone.

And today,August 26th, Apple offered free battery replacement to certain serial # iPhones.

I know, I know. It’s a phone.
Not to me.

BigAcrylic: When Your Walls Need Some Dressing!

OK, who prints their images these days?
Not many folks, I know. It’s mainly on a screen.
But you can’t have naked walls. I can’t anyway.
So when I was in an edit suite a month ago, I noticed some very cool images,float mounted on the wall. All acrylic prints.
So I did some more research. Timing/luck prevailed and I was contacted by Mark Alper of BigAcrylic.
After discussing the process, I figured it was time to give it a try.
Not a huge landscape guy, I figured a shot of Neil Young I took at SXSW last year, would be a good first start of the test.
I sent off a 150 DPI jpeg of this image:
SXS_1549

What came back was pretty amazing.

a 16×24 print, made on 1/4 in acrylic, full bleed.
Perfectly packed, with frame mounting as good as some of my fine art prints, sans the brown paper wrap.
XNY_6965
Some things to note, however with Bigacrylic or ANY printing service: GIGO.
Know what that is? Garbage In, Garbage Out.
You have to start with a great file to get a great result. Sometimes that low res file that looks good enough on your laptop or, ugh, phone, won’t make the translation to a larger print.

Here is shot of the actual acrylic print I received. Please note that I shot this at ISO 2800 and 1/100 of a sec.
XNY_6962-2
(yes, there are reflections of objects in the print. I wanted you to know this is the actual item)

These folks do offer a pro service so you can test the files before committing to the huge print.
Honestly, what i kind of like about this company is that it seems to be a small firm doing quality work.
And of course you are going to ask: how long do these last?
According to them, Acrylic prints last 30 years in direct sunlight.
I’ll let you know.
By the way, they also print on metal.
And the owner,Mark Alper is very communicative and seems available to help.
OK, I run a website, but my gut tells me that the way he dealt with me, is the way he deals with all custy’s.
If this service is of interest to you,or your clients, he’s actually offered a 20% discount to our readers just by using the word “damon” in the coupon code section of the checkout.
Just go to BigAcrylic.com and check it out.

Brad Elterman : a little #TBT in many ways

This article was first posted in 2009. We’re going to dedicate Thursdays on Photoinduced as Throw Back Thursday, and go into our archives to reintroduce some folks and photography to you.

Sure, the concept of paparazzi was popularized in the days of La Dolce Vita.
Yes, celebrities have always been sought after for exclusive personal photos, although never to the extent the paps go after them now. Celebrity magazines have been around since…..well, since Hollywood began.

We’re not back that far (yet) but only to the 70’s.
Brad Elterman was a teenage shooter, finding his way into every cool scene, when there were not many others covering la vida loca.( Parental and workplace warning: nudity on his site)
From his photos of the Ramones, Bob Dylan,Blondie,Joan Jett, and the Runaways, and most of the rockers of the period, he had access to them all. Want to see a vry young Robert DeNiro? He’s got that shot. Frank Sinatra? Yep

There were no uploads. There were no email deliveries.

He did the work. Souped the film, made the prints, delivered the goods. And became his subjects friends. Most of the time.

(Check out that shot of Leif Garret and a very young Nicolette Sheridan on the video still frame below. BUT click on it to see the full video)

Brad was working in a time when he may have been considered a photojournalist more than a paparazzi.
Today the pap term has connotations for the general public that are pretty negative. Although there are some symbiotic relationships between PR folks and the shooters (how else do they know who is leaving the hairdressers or grocery stores unless a publicist tips them. I mean, really.)
Quite the contrary in Brads case. He was more often invited in and asked to photograph those seeking a little fame.

He’s constantly working and has found a new audience.
Brad Elterman has been selected as one of the top people to watch on instagram, follow him @ http://instagram.com/bradelterman
And buy his book:Brad Elterman: Dog Dance
He’ll be happy you did.

Instagram

Upcoming Events

  • PhotoPlus Expo
  • Oct.30-Nov.1, 2014
  • Javits Center
  • NYC, NY
  • Conference and Expo

Is there an event we should know about?
Let us know on twitter.

Current Exhibitions

  • The Getty Museum
  • “Convergences: Selected Photographs from the Permanent Collection “
  • July 8–October 19, 2014, The Getty Center
  • 1200 Getty Center Drive
  • Los Angeles, CA 90049
  • Tel: 212.570.3600
  • Whitney Musuem
  • “Edward Hopper and Photography”
  • July 17th – Oct.19th, 2014
  • 945 Madison Ave.
  • New York City, New York 10021
  • Tel: 212.570.3600
  • Annenberg Space For Photography
  • “Inside Tracks: Behind the lens on the assignment of a lifetime”
  • Through February 1, 2015
  • 2000 Avenue of the Stars, #10
  • Century City, CA. 90067
  • Tel: 213.403.3000
  • ICP
  • Sebastio Selgado – Genesis
  • Sept.15, 2014-Jan 15th,2015
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • In Focus:Tokyo
  • Through Dec.14, 2014
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • Marco Breuer -Zero Base
  • Sept.4th- Nov.1, 2014
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • Saul Leiter
  • Sept 18- Oct. 25th, 2014
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Horst: Shadow and Light
  • Through Nov.1, 2014
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • A World of Its Own: Photographic Practices in the Studio
  • February 8–November 2, 2014
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • Thomas Struth: Photographs
  • Through February 16, 2015
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

Is there an exhibition we’re missing? Let us know on twitter.

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