Rainy Days and Sundays Always ………keep me busy.

Sundays are always a good midpoint that kind of organzies for me.
A day to review all of the work and life from the week before, and a time to set out the plans for the week ahead.

Now this review includes going through any mail, magazines, and papers that didn’t appear critical. Just a habit that kind of organizes life.Personal workflow, as it were.
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This week, Aperture magazine arrived in that stack and what a great way to break up the day.
Kind of the sorbet between clean up and planning.

No camera reviews, no letters to the editor, no multiple pages of ads that you need a magnifying glass to read. This magazine is the voice of the Aperture Foundation—the premier not-for-profit arts institution dedicated to advancing fine photography.

It’s a very strong issue this time.

From the haunting cover image by Gregory Crewdson complete with an article by him discussing this influences there is gold throughout the book.

Martin Parr’s intro to “ Colour before Color ” is kind of a reverse commentary on a show from last summer at Hasted Hunt Gallery. But with brilliant observations that will always be valid.

The reviews of the exhibits such as Richard Princes: Spiritual America at the Guggenheim in NYC give you a visceral feel of the work and made me start to research more on the web and then my favorite bookstores.

“From Ecstasy to Agony: The Fashion Shoot In Cinema” by David Campany traces the photographer as protagonist throughout film history in films such as Blow-Up, Funny Face, Prêt-A Porter, etc. You know we’ve given away these films in past weekly giveaways.

All I’m saying is that this magazine has the powerful content to take you away into a world, as well as any movie nominated this Oscar season.
Pick up this current issue, or better yet, subscribe.
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One more thing that happened on Sunday: The Oscars!

i…. drink…. Your….. MILKSHAKE ! I DRINK IT UP!!

OK, it”s not photography but it’s a great line from the Oscar winner Daniel Day-Lewis in “There Will Be Blood”
Well, Robert Elswit who shot the film, did get the Oscar for Best Cinematography.

SPOILER WARNING!!! You can see that line delivered here on YouTube.

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Upcoming Events

  • WPPI
  • March 3-10,2016
  • MGM Grand
  • Las Vegas, Nevada
  • AIPAD
  • April13-17,2016
  • Armory on Park Ave
  • NYC, NY

Is there an event we should know about?
Let us know on twitter.

Current Exhibitions

  • Tisch Photography and Imaging
  • “Robert Frank, Books and Films, 1947-2016”
  • Jan. 28 – Feb. 11, 2016
  • 721 Broadway: LOBBY & 8TH FLOOR GALLERIES
  • NY, NY
  • Tel: 212.998.1930
  • Pace Gallery
  • Irving Penn
    Personal Work
  • Jan 29, 2016 – Mar 05, 2016
  • 534 West 25th Street
  • New York NY 10001
  • Tel: 212.929.7000
  • Getty Center
  • The Younger Generation: Contemporary Japanese Photography
  • October 6, 2015–February 21, 2016
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • CHRIS KILLIP, IN FLAGRANTE TWO
  • Jan.28–Feb. 27,2016
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • MARVIN E. NEWMAN: SEQUENTIALLY SOUGHT
  • Through Jan. 30th, 2016
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • PATRICK DEMARCHELIER: PHOTOGRAPHS 1975 – 2015
  • Through
    Jan. 30th, 2016
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • Ocean of Images: New Photography 2015
  • November 7, 2015–March 20, 2016
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • The Aftermath of Conflict
  • Through March 6th, 2016
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

Is there an exhibition we’re missing? Let us know on twitter.

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